Who else is excited that these books exist? I love books like this; the gothic, the romance, the mystery, the paranormal. It's completely up my alley. I was so thrilled to be a part of this promotion for the paperback release of the Book of Life, the third and final book in this series. I was even more thrilled when I received all three books.
The publisher is doing some amazing promotional giveaways with lots of added perks and I'm sure you will see them all out there in the blogosphere. I decided to share with you all a Q& A with the author, Deborah Harkness and also the giveaway.
To sign up for the giveaway, please leave your name and email. Winner will be chosen June 2.
Enjoy getting to know the author and a little bit more about these books!
Happy Reading and as always, thanks for stopping by!
red headed book child
A CONVERSATION WITH DEBORAH HARKNESS
Q: In your day job, you are a professor of history and science at the University of Southern California and
have focused on alchemy in your research. What aspects of this intersection between science and magic
do you hope readers will pick up on while reading THE BOOK OF LIFE? There’s quite a bit more lab
work in this book!
A. There is. Welcome back to the present! What I hope readers come to appreciate is that science—past or
present—is nothing more than a method for asking and answering questions about the world and our place in it.
Once, some of those questions were answered alchemically. Today, they might be answered biochemically and
genetically. In the future? Who knows. But Matthew is right in suggesting that there are really remarkably few
scientific questions and we have been posing them for a very long time. Two of them are: who am I? why am I here?
Q: Much of the conflict in the book seems to mirror issues of race and sexuality in our society, and there
seems to be a definite moral conclusion to THE BOOK OF LIFE. Could you discuss this? Do you find
that a strength of fantasy novels is their ability to not only to allow readers to escape, but to also challenge
them to fact important moral issues?
A. Human beings like to sort and categorize. We have done this since the beginnings of recorded history, and
probably well back beyond that point. One of the most common ways to do that is to group things that are “alike”
and things that are “different.” Often, we fear what is not like us. Many of the world’s ills have stemmed from
someone (or a group of someones) deciding what is different is also dangerous. Witches, women, people of color,
people of different faiths, people of different sexual orientations—all have been targets of this process of singling
others out and labeling them different and therefore undesirable. Like my interest in exploring what a family is, the
issue of difference and respect for difference (rather than fear) informed every page of the All Souls Trilogy. And
yes, I do think that dealing with fantastic creatures like daemons, vampires, and witches rather than confronting
issues of race or sexuality directly can enable readers to think through these issues in a useful way and perhaps come
to different conclusions about members of their own families and communities. As I often say when people ask me
why supernatural creatures are so popular these days: witches and vampires are monsters to think with.
Q: From the moment Matthew and a pregnant Diana arrive back at Sept-Tours and reinstate themselves
back into a sprawling family of witches and vampires, it becomes clear that the meaning of family will be
an important idea for THE BOOK OF LIFE. How does this unify the whole series? Did you draw on your
own life?
A. Since time immemorial the family has been an important way for people to organize themselves in the world. In
the past, the “traditional” family was a sprawling and blended unit that embraced immediate relatives, in-laws and
their immediate families, servants, orphaned children, the children your partner might bring into a family from a
previous relationship, and other dependents. Marriage was an equally flexible and elastic concept in many places and
times. Given how old my vampires are, and the fact that witches are the keepers of tradition, I wanted to explore
from the very first page of the series the truly traditional basis of family: unqualified love and mutual responsibility.
That is certainly the meaning of family that my parents taught me.
Q: While there are entire genres devoted to stories of witches, vampires, and ghosts, the idea of a weaver –
a witch who weaves original spells – feels very unique to THE BOOK OF LIFE. What resources helped
you gain inspiration for Diana’s uniqueness?
A. Believe it or not, my inspiration for weaving came from a branch of mathematics called topology. I became
intrigued by mathematical theories of mutability to go along with my alchemical theories of mutability and change.
Topology is a mathematical study of shapes and spaces that theorizes how far something can be stretched or twisted
without breaking. You could say it’s a mathematical theory of connectivity and continuity (two familiar themes to
any reader of the All Souls Trilogy). I wondered if I could come up with a theory of magic that could be comfortably
contained within mathematics, one in which magic could be seen to shape and twist reality without breaking it. I
used fabric as a metaphor for this worldview with threads and colors shaping human perceptions. Weavers became
the witches who were talented at seeing and manipulating the underlying fabric. In topology, mathematicians study
knots—unbreakable knots with their ends fused together that can be twisted and shaped. Soon the mathematics and
mechanics of Diana’s magic came into focus.
Q: A Discovery of Witches debuted at # 2 on the New York Times bestseller list and Shadow of Night debuted
at #1. What has been your reaction to the outpouring of love for the All Souls Trilogy? Was it surprising
how taken fans were with Diana and Matthew’s story?
A. It has been amazing—and a bit overwhelming. I was surprised by how quickly readers embraced two central
characters who have a considerable number of quirks and challenge our typical notion of what a heroine or hero
should be. And I continue to be amazed whenever a new reader pops up, whether one in the US or somewhere like
Finland or Japan—to tell me how much they enjoyed being caught up in the world of the Bishops and de Clemonts.
Sometimes when I meet readers they ask me how their friends are doing—meaning Diana, or Matthew, or Miriam.
That’s an extraordinary experience for a writer.
Q: Diana and Matthew, once again, move around to quite a number of locations in THE BOOK OF LIFE,
including New Haven, New Orleans, and a few of our favorite old haunts like Oxford, Madison, and Sept-
Tours. What inspired you to place your characters in these locations? Have you visited them yourself?
A. As a writer, I really need to experience the places I write about in my books. I want to know what it smells like,
how the air feels when it changes direction, the way the sunlight strikes the windowsill in the morning, the sound of
birds and insects. Not every writer may require this, but I do. So I spent time not only in New Haven but
undertaking research at the Beinecke Library so that I could understand the rhythms of Diana’s day there. I visited
New Orleans several times to imagine my vampires into them. All of the locations I pick are steeped in history and
stories about past inhabitants—perfect fuel for any writer’s creative fire.
Q: Did you know back when you wrote A Discovery of Witches how the story would conclude in THE
BOOK OF LIFE? Did the direction change once you began the writing process?
A. I knew how the trilogy would end, but I didn’t know exactly how we would get there. The story was well thought
out through the beginning of what became The Book of Life, but the chunk between that beginning and the ending
(which is as I envisioned it) did change. In part that was because what I had sketched out was too ambitious and
complicated—the perils of being not only a first-time trilogy writer but also a first time author. It was very important
to me that I resolve and tie up all the threads already in the story so readers had a satisfying conclusion. Early in the
writing of The Book of Life it became clear that this wasn’t going to give me much time to introduce new characters or
plot twists. I now understand why so many trilogies have four, five, six—or more—books in them. Finishing the
trilogy as a trilogy required a lot of determination and a very thick pair of blinders as I left behind characters and
story lines that would take me too far from the central story of Diana, Matthew, and the Book of Life.
Q: A Discovery of Witches begins with Diana Bishop stumbling across a lost, enchanted manuscript called
Ashmole 782 in Oxford’s Bodleian Library, and the secrets contained in the manuscript are at long last
revealed in THE BOOK OF LIFE. You had a similar experience while you were completing your
dissertation. What was the story behind your discovery? And how did it inspire the creation of these
A. I did discover a manuscript—not an enchanted one, alas—in the Bodleian Library. It was a manuscript owned by
Queen Elizabeth’s astrologer, the mathematician and alchemist John Dee. In the 1570s and 1580s he became
interested in using a crystal ball to talk to angels. The angels gave him all kinds of instructions on how to manage his
life at home, his work—they even told him to pack up his family and belongings and go to far-away Poland and
Prague. In the conversations, Dee asked the angels about a mysterious book in his library called “the Book of
Soyga” or “Aldaraia.” No one had ever been able to find it, even though many of Dee’s other books survive in
libraries throughout the world. In the summer of 1994 I was spending time in Oxford between finishing my
doctorate and starting my first job. It was a wonderfully creative time, since I had no deadlines to worry about and
my dissertation on Dee’s angel conversations was complete. As with most discoveries, this discovery of a “lost”
manuscript was entirely accidental. I was looking for something else in the Bodleian’s catalogue and in the upper
corner of the page was a reference to a book called “Aldaraia.” I knew it couldn’t be Dee’s book, but I called it up
anyway. And it turned out it WAS the book (or at least a copy of it). With the help of the Bodleian’s Keeper of Rare
Books, I located another copy in the British Library.
Q: Are there other lost books like this in the world?
A. Absolutely! Entire books have been written about famous lost volumes—including works by Plato, Aristotle, and
Shakespeare to name just a few. Libraries are full of such treasures, some of them unrecognized and others simply
misfiled or mislabeled. And we find lost books outside of libraries, too. In January 2006, a completely unknown
manuscript belonging to one of the 17th century’s most prominent scientists, Robert Hooke, was discovered when
someone was having the contents of their house valued for auction. The manuscript included minutes of early Royal
Society meetings that we presumed were lost forever.
Q: Shadow of Night and A Discovery of Witches have often been compared to young adult fantasy like
Twilight, with the caveat that this series is for adults interested in history, science, and academics. Unlike
Bella and Edward, Matthew and Diana are card-carrying members of academia who meet in the library of
one of the most prestigious universities in the world. Are these characters based on something you found
missing in the fantasy genre?
A. There are a lot of adults reading young adult books, and for good reason. Authors who specialize in the young
adult market are writing original, compelling stories that can make even the most cynical grownups believe in magic.
In writing A Discovery of Witches, I wanted to give adult readers a world no less magical, no less surprising and
delightful, but one that included grown-up concerns and activities. These are not your children’s vampires and
witches.
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